1585-1634
Dutch
Hendrick Avercamp Galleries
Hendrick Avercamp (bapt. January 27, 1585, Amsterdam - buried May 15, 1634, Kampen (Overijssel)) was a Dutch painter.
Avercamp studied in Amsterdam with the Danish-born portrait painter Pieter Isaacks (1569-1625), and perhaps also with David Vinckbooms. In 1608 he moved from Amsterdam to Kampen in the province of Overijssel. Avercamp was deaf and was known as "de Stomme van Kampen" (the mute of Kampen).
As one of the first landscape painters of the 17th-century Dutch school, he specialized in painting the Netherlands in winter. Avercamp's paintings are colorful and lively, with carefully crafted images of the people in the landscape.
Avercamp's work enjoyed great popularity and he sold his drawings, many of which were tinted with water-color, as finished pictures to be pasted into the albums of collectors. Queen Elizabeth II has an outstanding collection of his works at Windsor Castle, England. Related Paintings of Hendrick Avercamp :. | Winter Scene at Yselmuiden | A Scene on the Ice near a Town | Winter Landscape with Skaters | Winter Scene | Winter landscape | Related Artists:
August Jernberg(16 September 1826 - 22 June 1896) was a Swedish artist who emigrated to Germany.
In his early years he mainly painted portraits, and historical or biblical pictures. In the 1860s he became a genre and landscape painter. He studied at the Royal Swedish Academy of Arts in Stockholm 1843-1846 and then went to Paris, where he studied under Thomas Couture from 1847 to 1853. In 1854 he settled down in Desseldorf, and remained there until his death, with the exceptions of some shorter trips.
Also his son Olof Jernberg (1855 - 1935) was an artist.
Ignacio Zuloaga y ZabaletaJuly 26, 1870 - October 31, 1945
Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..
Job Berckhyde1630-1693
Dutch
Job Berckhyde Gallery